Keywords
Sound Design
Film and Video Production
Emotional Expression
How to Cite
Accepted 2024-12-23
Published 2025-02-16
Abstract
In film and television, sound, as an indispensable element, not only shapes the audience's viewing experience, but also plays a key role in narrative and emotional communication. With the continuous development of audio technology, sound design in film and television has become more and more indispensable. From the accompaniment of silent movies to the stereo and spatial sound effects used in today's film and television productions, the diversity of sound art has a profound impact on the audience. It not only enhances the communication of emotions and the immersion experience of the audience, but also guides the audience's perception and emotion through the subtle layout of sound. Under the situation of globalization, the international cooperation and exchange of sound art has promoted the continuous evolution of this field. In this paper, we will focus on the function of sound in film works, analyze the relationship between sound and film, and discuss the expression of film sound in film and television creation.
References
Duan K. W. Research on the Concept of Music Performance in New China in the 20th Century [D]. Nanjing Arts Institute,2023.DOI:10.27250/d.cnki.gnjyc.2023.000333.
Xinyan Li. Research on the expression form and aesthetic characteristics of new media interactive installation art [D]. Southwest University,2023.DOI:10.27684/d.cnki.gxndx.2023.001574.
Qi Bo Yang. Research on the sound art of “If National Treasures Could Talk” [D]. Inner Mongolia Normal University,2023.DOI:10.27230/d.cnki.gnmsu.2023.000759.
Song Duc Zhi. Research on the artistic expression of recitation under the perspective of text transformation [D]. Shandong Normal University, 2023.DOI:10.27280/d.cnki.gsdsu.2023.001446.
Li Jiayi. Concept and form: a study on the development and evolution of film music [D]. Communication University of China, 2023.DOI:10.27483/d.cnki.gbjgc.2023.000054.
Xu Xueren. Changes and trends of movie and television dubbing under the iteration of recording technology[D]. East China Normal University, 2023.DOI:10.27149/d.cnki.ghdsu.2023.001765.
Guo Shichao. Micro-expression of the grand theme of the melodrama TV series “Love in the Mountains and the Sea”[J]. Sound Screen World,2022,(17):41-43.
Li Gang. Study on the Aesthetic Function of Vocal Art in Tea Theme Films[J]. Fujian Tea,2021,43(01):279-281.
Gao Shuai. Intelligent Interaction and Video Generation[D]. Communication University of China, 2023.DOI:10.27483/d.cnki.gbjgc.2023.000001.
Du Qiuxiang. Research on the Narrative Art of Guizhou Red Film and Television in the New Era [D]. Guizhou University of Finance and Economics,2023.DOI:10.27731/d.cnki.ggzcj.2023.000237.
WANG Lingyun,TANG Minli. A strategy for cultivating film and television thinking ability based on mixed reality technology[J]. Communication and Copyright,2024,(11):95-97+101.DOI:10.16852/j.cnki.45-1390/g2.2024.11.003.
Zhou Rixi. Integration strategy of digital media art and film and television creation[J]. Art Review,2024,(01):171-176.
Lin Lin. Inheritance and innovation following the past - talk about the practice of movie sound art creation[J]. Modern movie technology,2016,(12):18-26.
Chen Qing. The sound art teaching in film and television[J]. Art Education,2016,(10):32-35.
Zhang Tanglin. On the importance of vocal art and its utilization in film and television works[J]. Music time and space,2015,(18):90-91.
Yao Qi. Characterization of rhythmic art of film and television sound[J]. Art Education,2015,(07):217-220.
Yang Jun. New media digital art in the information age--the cross-border integration of sound and image[J]. Modern Audiovisual,2015,(03):13-17.
Sun Ning. Trial Analysis of Visualization Effect of Film and Television Music[J]. Social Science Front,2013,(12):161-164.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright (c) 2025 LI JIANG (Author)